Martin Eberle – Hi Schatz!
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The photographs in Martin Eberle's book "Hi Schatz!" were taken between 1997 and 2009. They document Berlin exactly as it actually was back then – beyond all official projections: unfinished, provisional, run-down, remaining, free, fantastic. Above all, the public and semi-public spaces of the city at that time also function as carriers of informal communication – slips of paper that someone hangs somewhere, a love letter that gets lost, flyers that are passed on, something someone sprays on a wall. The everyday and no longer consciously perceived surface of the city becomes a foil for the most private mini-messages, idiosyncratic design solutions, or sheer insanity. Much of it cannot be deciphered without insider knowledge – or, more exactly, without being art savvy or familiar with the social environment. Always obvious, however, is an untamed creative force that appropriates the urban landscape in terms of an own interpretation. Niches and empty spaces are occupied, altered, and utilized to convey one's own message, or a joke.
The photographs of these appropriations resurrect the Berlin of those years and portray the city as personal, dirty, vulnerable, and emotional, showing its many niches and lost corners, and the whole craziness of it. Martin Eberle has already made a name for himself by dealing with a similar subject in his book "Temporary Spaces" (Gestalten Verlag).
"Hi Schatz!" is supplemented by Heinrich Dubel’s so-called psycholinguistic miniatures of everyday life, short texts that can be subsumed under the catchphrase "hearing voices." They consist of text fragments and utterings seen or overheard in public places – and provide, written down from memory, a special "background noise" to Eberle‘s portrait of a big city.