Published at the occasion of Condo’s first personal exhibition at the gallery in 2001, this catalogue unveils us how the artist’s figurative paintings relate to abstraction.

The works actually cope with a gesture painting liberated thanks to the automatic thinking process used by the artist in this series. Condo puts so aside several portraits very freely to achieve partly abstract paintings, within a very fragmented composition, where external appearance and internal state of mind mix together. So is Condo representing the nature of the present human condition, as he feels and observes it.