Stankowski 06
Aspekte des Gesamtwerks | Aspects of his oeuvre
In his multifaceted artistic activity, Anton Stankowski (1906–1998) always approached his work in terms of the overall design.
As a decorative painter influenced by the Bauhaus and a comrade-in-arms of the Concrete artists in Zurich, he began to concentrate on fundamental visual elements in the late 1920s. At the same time, his masterly, abstract photographs, clever advertising graphics, and remarkable company logos were outstanding examples of visualization in the applied arts.
In the post-war years, besides his work for SEL, the Süddeutscher Rundfunk, and the Deutsche Bank, he developed a formal theory of design and also produced many paintings and high-quality prints.
As a decorative painter influenced by the Bauhaus and a comrade-in-arms of the Concrete artists in Zurich, he began to concentrate on fundamental visual elements in the late 1920s. At the same time, his masterly, abstract photographs, clever advertising graphics, and remarkable company logos were outstanding examples of visualization in the applied arts.
In the post-war years, besides his work for SEL, the Süddeutscher Rundfunk, and the Deutsche Bank, he developed a formal theory of design and also produced many paintings and high-quality prints.
| Editor | Ulrike Gauss, Stankowski-Stiftung |
| Publisher | Hatje Cantz |
| Year | 2006 |
| Cover | Hardcover |
| Language | English, German |
| More | |
| ISBN | 978-3-7757-1743-4 |
| Contributors | Karl Duschek, René Grohnert, Hans Heinz Holz |
| Type of book | Exhib'publication |
| Museum / Place | Staatsgalerie Stuttgart |
| Article ID | art-58699 |
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