Dunja Evers has developed a unique picture form which mediates between film, photography and painting.

With her works she directs the eye away from the documentary function of photography towards a picture-artistic structuring. Her fragile pictures are photographic paintings which cross all borders of genre. At first, they appear as an almost monochrome kaleidoscope of colours.

The colour is underlaid with shadowy, filmically or photographically generated signs which disclose themselves only gradually while being looked at. Stretched space, stretched time appears – and disappears again.