Eine neue Kunst
280 pages, 24 x 30 cm , 1970 g.
Eine neue Kunst
Photographie und Impressionismus
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This lavishly illustrated volume looks at the myriad ways in which the burgeoning art of photography dialogued with Impressionist painting.

In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Étretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence.

The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900.
EditorOrtrud Westheider, Michael Philipp, Daniel Zamani
PublisherPrestel
Year
CoverHardcover
LanguageGerman
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ISBN978-3-7913-9079-6
ContributorsMonika Faber, Miriam Leimer, Bernd Stiegler et al.
Type of bookExhib'publication
Museum / PlaceMuseum Barberini, Potsdam
Article IDart-53989

 

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