Paul Klee et les surréalistes
400 pages, 23.5 x 27.5 cm , 2230 g.
Paul Klee et les surréalistes
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What do Louis Aragon, Antonin Artaud, Paul Éluard, Joan Miró, and André Masson have to do with the painter and Bauhaus master Paul Klee?

This cross-genre and fascinating subject is examined for the first time in a multifaceted exhibition. The fact that the French Surrealists saw their key concepts such as “dreams,” “the cosmos,” and “vision” reflected in the magical, transcendental Klee's painting and even made him their spiritus rector, is remarkable considering the backdrop of Europe's political situation between the world wars.

The exhibition and catalogue shed light on this fascinating chapter of the relationship between artists and expose its enormous art-historical dimension. Organized according to individual subject areas such as “Écriture automatique,” “The World as a Dream,” and “Portraits and Masks,” the book provides readers with information about this important interface between the literary and artistic avant-garde in Europe during a turbulent era.

Catalogue en français de l'exposition au Centre Paul Klee à Berne du 18 novembre 2016 au 12 mars 2017. A partir des notions chères aux surréalistes comme le rêve, le cosmos et les visions, explorées par l'écriture automatique et les masques, ce livre montre le lien entre Louis Aragon, Antonin Artaud, Paul Éluard, Joan Miró et André Masson avec le peintre et maître au Bauhaus.
PublisherHatje Cantz
ContributorsMichael Baumgartner, Sophie Petit-Emptaz, Guitemie Maldonado et al.
Type of bookExhib'publication
Museum / PlaceZentrum Paul Klee, Bern
Article IDart-21778


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